Where to buy?
Link: https://amzn.to/2IWkuK8
Video Transcription
youtube i’m waiting for you to amaze me
come on you should be amazed
you can do it we should be live you can
yes we are live okay
hi youtube we’re back well well we
wouldn’t come back we
here we just got here sorry yeah all
right let me
uh have amazing quality too
dang it so i can i say that
that’s not that
all right i think we’re live on our
platform
so sorry for the delay everyone but
we’re live we’re going to go live we’re
starting now so thank you for waiting
hello everyone and welcome to pixel
stabbers hope you guys are doing well
hope you guys doing fantastic
today we have a special guest ken right
here from fujifilm ex-photographer just
like jeremy up there
but except ken has privileged to test
out an amazing new
fujifilm piece of hardware so i’ll let
ken
take it away yeah i never have fun yeah
we’re going to talk about the 56
millimeter 1.2 today
yes we knew it oh
yes i got something new that every
people have been expecting
nice wow see beautiful
so yeah i know there’s some open balls
uh on the youtube on the internet before
uh
i mean after the 50 millimeter 1.0
launch
yep and i just recently got this the
sample so this is the
very first open box from us
yep so um yeah i think many of you have
been
seeing that the review of the lens
and see a little bit testing
of the 50 millimeter on the xt4
or the export 3 or any recently a new
camera
but um you’re just looking
into the promoting video or maybe
there’s some tesla video but today
except the open box we also have some
camera here so we’re going to compare
the size and also we’re going to plug in
the camera into our live system
and we’re going to show you a little bit
of the air speed test
because that’s one of the best thing
about that lens right it’s fast when cam
yeah when ken actually told me hey let’s
do open box wheel i’ll say
open box video you’re just going to open
a box and show the lens and then close
the box and
done like what’s the point of that like
oh well i want to show like
awesome uh focusing speed okay that’s
another story so this is going to be
interesting video so stay
stay tuned okay it’s gonna be cool yeah
don’t turn off
yeah yeah coming back i mean one of the
best thing about
this 50 millimeter 1.0 is the autofocus
speed right
it’s much faster than the 56 f1 point
what what is it the 56 how what’s the
aperture in the 50s
which is more important the 1.0 with the
depth of field or the so-called focusing
speed which is more important
i think focusing speed it depends on
what you’re shooting because if you put
that onto the xd4 with the new xt4
focusing system all lens is good already
the 56 1.2 is the margin difference
compared to you know
well okay i’m trying to understand
jeremy
you’ve told me that the 56 1.2 fuji lens
is very slow no no no no no wait hold on
let me pull a thing again where’s ken
can well
yeah ken’s not in this shot 56.2 focus
slow which
i tried it it is slow okay so assuming
and according to the fuji spec that the
point two you have to fit this yes i
have it here
what ken has everything so we can test
the 56 one point two and compare it to
the 51.00
yes all right i want to see this so
we’re going to open it
so this is the open boxing guys drum
roll
come on
it’s the fujifilm f 1.0
read the menu
from page one to page to the edge uh
it’s openers all right coat yeah
but that’s a 1.2 man what’s up with that
what no no
that’s for all of them no all of them
all of them
wait hold on they make one manual for
all seriously because i think the lens
has the same hardware right the focusing
the multi-ring
the aperture ring they’re all the same
yes
actually basically
i mean who with the manual of your lens
like
what you need to learn about the lens
two how to your camera
i think the only thing i care about is
like how to change the aperture and how
to go out of focus and what the minimum
focus distance so just some basic
information
yeah go online and search for it you
have to read it two two
oh customer service oh contactless
cool they don’t care about that
put that away yeah all right what’s that
so this is the
lens cover lens cover that’s it let’s
pouch
let’s do that yeah is it the same one
that comes with
all the fuji lens uh
yeah i think they have the same design
okay which is from logo on it
barely can see it but okay yeah hold on
i don’t think i get that one for my 35
one two but that’s pretty much it hmm i
think they
put it in into the lenses uh in a reason
let me double check my box again later
because i never really go
that deep yeah all right so
oh look at that it’s plastic it’s so
recyclable so there’s got two parts of
the lens
first of all it’s the lenses yeah
okay who doesn’t use the lens hood here
i never use the lens hood
never i thought that you make the lens
too big yes
well okay so the only thing is when you
shoot with sun
glaring in you have to shield your lens
yeah otherwise
flare but other other than that i never
use lens hood
wow the lens is humid longest
it’s pretty big wow
like what uh how many cells this is the
and wow wow that’s a big difference
that that’s funny because you know like
when you go like from
aperture 2.5 to 2.8 is not a big
difference
but when you go from aperture 1.4 to 1.2
to 1.0 it’s very different it’s huge
right the amount of
lens you need to go from f 1.2 to 1.0 is
a big difference
right then this one is the seven
millimeters
built-in size 77 millimeter that’s the
standard size
what what size of 56 again
wow i don’t want to search for it 52
yeah 62 62. 62.
so how do you feel about getting a lens
this pick on a
crop sensor about a smaller body like
this does it offset the balance
does it make it top heavy or lens front
heavy
uh well it’s definitely
it’s definitely heavy if you put down a
a tiny mirrorless body mm-hmm
so is it just because back then i have a
lot of people
asking me questions because you know
even with sony
with the small cameras and the lens
never got smaller
unless you well if you go for the like
wide aperture lenses
the lens is always big right so people
complaining about is not balanced
because that came with the camera you
basically hold the camera
[Music]
but what if like with the mirrorless
camera most of the time the lines are
bigger than camera right
so i kind of get used to holding the
lens rather holding the camera
body it it it feels more professional
too just to hold the lens i feel like
i’m holding on to like a bigger body
but for once let’s say if you’re holding
like a 7200 or 51.4
and for this case you hold the lens yeah
why would you hold a body right
yeah and on top of that i found that
most of the time the lens itself is more
expensive than
the body so i hold the lens if i
probably jump forget about it and it’s
like my land’s safe
right yeah that’s not my point right and
then physic wise right it’s a moment so
you want to hold on to the part that
would cause the most moment so you don’t
want to
cancel it run you yeah i’ll get back to
you on that
one i’m not sure one thing i want to
mention about the new lens hood design
and the original one just uh easy to put
yeah that’s a huge lens
yes i know and for the 50 millimeter
they have a new
lock here
different from the previous fujifilm
lens
it’s a brand new design the first time
i’ve ever seen on a fujifilm camera
oh sorry fuzzy feeling lens so when you
plug in
your lan uh your hood inside
you need to lose a little bit power oh
it’s a force to get it in yeah you need
to
use a little force because on the for
example 56 millimeter one
yep
easy easy yep and
if you use it for some a little bit
longer time the hood will be loose
yep and you double so easy so for this
one it’s a brand new design so you need
to use a
wow a little bit for to put it on
yeah and also to put it in but over time
but over time will it wear out too it’s
plastic
yes eventually well
it’s hard to say none of my landscape
has ever got well so
yeah uh i got fuel especially on the
the lens will sit a little bit loose and
easy to stop off
so i can’t put it back done this is the
open box the end of today
yeah hi guys all right well that’s the
first half
now we’re gonna test the dang thing
right i hope
thanks for watching no now we test oh
i’m doing bad now
yes so here we have is the
comparing the size
yes like almost a double
almost yeah it’s it’s significantly
bigger that’s for sure
yes here is uh yeah
various omen yep 1.2 versus 1.0 that’s a
big difference
um ultimately i kind of care about it
one point because i want to see the
depth of field i really want those
portraiture that
it’s actually start therefore feel like
boy after the nose
but then i know it required for a very
close focusing distance
to get that work so i know if the 1.0
can able to carry with that
so i need to actually play that out to
see if i need it
yeah here we have the xt4 here
all right and also have the expo free
oh so we’re going to test that on x t3
xt4 and x pro 3.
nice yeah we can go for the x4
xt4 first all right so there’s the xt4
xc4 focusing system yes
no xt4 has a little bit faster one
yeah wow
okay i put it back here
oops let’s bring one of your star war
figures for focusing
and you’re fading black let’s get a
leader in do you have a leader
yeah uh other lego one
so this is what we’re going to test on
well see it’s kind of a little bit messy
here over exposed
yeah uh are you looking for leader
oh no not here come on man legally yeah
uh well let me change the focus weight
right yeah
up change back to the single point
the af soon
sorry
ah here okay we’re going back to the
single point
so this is the 1.0
wow look at fast dude that’s fast
what that is so fast that’s fast
that that is really fast yeah
it’s wait why why did they give you the
red af
is that because it’s too close yeah this
is cool and because
of the 50 millimeter uh 50 millimeter
the closest distance of the focusing is
about
yeah for those of you who live in the us
yeah so you can see the 15 millimeter
the af speed is kind of like this one
wow which i think is very good
seven inches if i could i think yeah i
think that’s pretty good
it’s like this much yeah
yeah so
that would do wonder with the 1.0 yeah
so uh well for airspeed tests
you see here and you’ll see for sale yep
it’s pretty awesome if compared with the
yeah i i want to know now of the 56
come on ken speed up it is 70 cm
ha so is it better or same
wow so you can get you can get closer
and get more blurry background
yeah oh that’s that’s a big difference
the minimum focus distance for the 56
millimeter f 1.2 is 70 millimeter
or 70 centimeter that’s that’s dm are
you sure
that’s kind of lame okay
here ah wow
now you now you’re just doing digital
zoom right
uh yeah that’s something inside the
camera yeah that’s
really sharp this is like one point it’s
so
sharp
so i have i have a canon 1dx mark
ii with a 50 millimeter f 1.2
and when i shoot with that the autofocus
is never that sharp
it’s never on that is really sharp
holy smokes that is right on
and what exactly are we looking at what
what what were you focusing on
uh on the face okay oh yeah here
yeah if you see a little bit yeah you
just have to find
a figure with a flat face yeah like a
real face
face let’s try it from here
okay this is a picture nice
yes and you can see as soon as i do this
that’s so sharp dude that is so
sharp that’s a 1.0 yeah that’s crazy the
on the 1.0 wait so right now if we were
to buy
um xt4 and this 50 million 1.0 how much
does that cost can
the guy combo
[Music]
i got a couple uh well the price from
here is about
hong kong 12 000 for lenses
and and the body is about
also 12 000 now it’s 24 000
for the whole set because okay
yeah good thing if you’re using the xt4
yeah it’s a 51 50 millimeter 1.0 around
for the whole yeah it’s kind of exactly
because the ht4 have the image body
stabilizer the eyepiece yeah in body
image stabilization
yeah it’s way better if you’re shooting
with this people
and also you know how back when you’re
shooting a wedding and you try to wide
open like the 80
yes five like one point two or one up
and try
to do a fast place focusing
and you always miss always but it with
xt4
and you won’t all right
that was a little bit out of focus the
text is blurry i can’t give you credit
for that take that picture again
that’s a human error that’s good that
was user air that was user air
no can you focus on the text on the lens
or is it too close
make sure it’s sharp i’m going to test
you on this i think it’s up
okay yeah the previous thing was user
error user air
what kind of photographer is this guy
who is this guy does this guy take
pictures
or does he just play with gear
okay yeah you i’m just teasing
both yeah wow that’s so
sharp holy guacamole
that’s so good yeah this is your texture
so on the
paint case yeah yeah that is nuts
and you shoot at f 1.0 50 millimeters
oh you can see it from uh oops the frame
broke the
yeah oh yeah let me let me take off the
frame let me take off the frame
so people can try it hang on another
people see that again i’m shooting
all time 1.0 yeah
so this 50 millimeter 1.0 is the first
right
that’s true yeah look at that f 1.0
yeah oh dude you shoot you’ll be
shooting at wonder world 125th
that’s why it’s kind of blurry because
sometimes you’re not holding it stated
yeah but then it has us yeah i base
right
the 1.0 with that kind of distance
and you see the world is so clear that
is really good
that is really good yeah okay uh too bad
you’re indoor
one thing i do want to try is how it
how does it handle glares um
wow wow yes wow
can you shoot into your light like well
i’m not sure did you like you know have
your light into the lens and see how
that goes
it’s it’s hard to it’s hard to simulate
real glare jeremy
because the sun player is more powerful
than the like i know that we try
whatever we can not in the light
it won’t have the glare because it’s not
it’s not bright enough for the glare oh
it’s true it might it doesn’t help
good star wars
i have a feeling this guy might be a fan
here you think
all right so this is the tesla on the
x-pro three it’s st4
yeah but i couldn’t really have the x4
live test on it because the sadly is
there
export free doesn’t have any hdmi output
port
it doesn’t does that micro
type c port output so probably you need
to uh con
convert the cable are you i could
already see
ah okay i think so yeah so the only
thing i can
try with is that well if you see the
size
on the xt4 yeah yeah so i’m going to put
it on uh
oh maybe i’ll do one more test with the
yeah yeah before we go to uh
put it on the xt x4
yeah so now we’re going to test the 56
millimeter f 1.2
which is significantly cheaper than the
but judging from the focus speed
obviously the aperture limitation
and also the minimum focus distance it’s
definitely a subpar lens compared to the
i mean my money might the price
you get what you pay for pretty much
yeah
i’ve been always trying to get a lens
that can do you know the type of porsche
i’m talking about
yeah really challenge up the field right
yeah i think this one can it’s
it’s basically not just the depth of
field it’s the focusing
uh distance yeah you gotta get right up
next to the model
so you have the minimum focus distance
so you increase
the shallow depth of field by getting
close to the subject plus the shoot at f
now here we have is the 1.2 and also 1.2
so this is the 56 millimeter so yeah
this is the 56 millimeter so you can see
a little bit not as sharp
yes it’s not that sharp so i’m going to
shoot it back it’s the
lego yeah palm trooper
and this is okay
i see you need to clean your legos yeah
uh well i need i need someone help me
clean up it’s too much
here so again this [ __ ] is the same
circuit yeah a little bit darker now
because you’re at f 1.2
the amount of light that f 1.0 brings in
versus 1.2 is
actually pretty significant yeah
you you would think it’s 0.2 right
really tell the differences
yeah so the focus will spit there is
still fast but uh
not as fun as not like that yeah you can
tell
it hunts a little bit it’s different
yeah it hunts a little bit yeah
yes so
yeah it’s actually missing a lot of
focus it hits and then it kind of you
need to take
take time to get the focus in porn yeah
yeah that’s why i never bought it
my whole whole life that’s the only
thing it’s missing is the 50
in my life so i guess i’m going to try
to buy it
thank you ken merry christmas jeremy
kent’s going to send you one
you’re the best friend i could ever had
as you can see
uh he’s ignoring me
you know the lead is a little bit big
it’s not as sharp as like a 50
millimeter
yeah so the 50mm 1.0 is sharper even at
f 1.0 compared to the 56 millimeter at f
so both of them wide open the 50mm 1.0
is sharper
autofocus is faster the minimum focus
distance is shorter
so you can do a lot more with the 50
millimeter 1.0
you know a lot of people that are
enthusiasts that don’t want to spend a
lot of money
they say well you can just get the 56
but really if you care about the small
differences which will be a big
difference if you
if that’s what you’re looking for it’s a
shout out to the fact that really
huge difference is the 1.0 yeah and
there is not much
one point out there is actually
autofocus you know most of them off the
market
and secondly i think for me at least
personally it is the
focusing minimum distance yes yeah
that’s been 18 millimeter four cuz right
like 85 develops it’s just
you can’t find that lens like we’re
talking about autofocus lens
yeah it they don’t make lens like that
out there yeah
so so so um ken can you confirm that the
minimum focus distance
is much larger with the 56
than the 50 because i saw you shoot the
lens
letter right yeah i’m reading the
official website dave
yes it’s point zero meter for the 51.0
yeah as the minimum focusing distance
yes and it is 2.3
yeah meters that’s a big difference
that’s a big difference 56.2
that’s a big difference but what
confused me
is that ken was able to focus on the
letters of the lens and isn’t that the
same distance
of the other 50 millimeter one point
but okay that’s pretty close though
are you on the 50
share your screen so we can see or any
more yeah sure
and we’re going black wow look at that
transition
it takes money to build those transition
guys
f this is f 1.0 again yeah look at that
focuses
bang on sharp fast
and the minimum focus distance is money
yeah so i’m going to hold my position
and change to the
right
yep don’t you dare move change your lens
without moving
you can’t you can’t move you don’t you
need to hold your position
so here
you can still focus you can still take
the picture
yes but you can see the picture a little
bit uh not as sharp as like that
wait does that mean the 1.0 can actually
get closer
yeah i think you can get closer with the
i would say get as close as you can with
the 1.2
and then see if you get closer with the
reading it off
the website but i can’t i’m not
convinced because of the subject you’re
shooting
does that make sense jeremy he’s
shooting the same subject
at the same time yeah
maybe i said a little bit uh but i got a
two-shot
tripod okay so so i’m going to put the
camera on it so it’s definitely not
going to move this time
okay so what you want to do is want to
shoot as close
focus as close to the subject as you can
with the 1.2
and then now compared to the 50 how much
closer can you get
wait hold on a second
this is the 56. jeremy made a mistake
jeremy made a mistake i only put like a
of it
they actually had the same focus
distance my bad
jeremy i knew it i knew something was up
they have the same thing here’s a
different though
so the angle of view on the 56
millimeter is 28.5 degree
while um the 1.0 is 31.7
and the 1.0 has 12 elements in 9 groups
the 56 only have 11 and 8 groups so
that’s why the image quality and focus
is faster yep
this is the 56 1.2
and it’s assuming yep not as sharp
uh yeah okay so i’m going to change
in the same distance yep with using the
like this much oh
that’s enough distance to stay away from
your model
i mean you don’t want to be that any
closer to that anyway
do you really think you’re supposed to
stay away from six feet yeah
well yeah mask on is okay
nope we get this same
that’s 1.0 wow you miss focus you miss
focus
it’s not sharp okay hold on
wait there’s one point one dude yeah 1.1
oh
sorry 1.1
that’s what you’re paying the money for
man the 1.0
use that 1.0 now this is the 1.0
how come it’s not as sharp as before
and i’m going to see use the air you
there
i think because the subject you’re kind
of focusing on
the head of the model you see how this
the thorn on top of his head is sharper
the thorn
yeah the thorn in his head is sharper oh
yeah
so i think i think it’s focusing on shot
pro too
ew
yeah or maybe i’ll try to change the
focusing’s pawn to a little bit smaller
xd4 can do that’s sick
wait try to focus did you see that he
changed the size of the focus point
i was checking comments that i missed it
dude it’s really cool
okay let’s see it again yeah shoot the
eye shoot the eye oh
did you change it that the eye and focus
right on his eye
i tried to change the focusing point to
more optional
weights that’s the fujifilm head
uh i’m i’m not quite sure if the eye
focusing work
on this one well there’s too many eyes
in this shot
okay it’s sharper yeah it’s definitely
sharper
so yeah i mean so now we’ve proven the
fact that germany was wrong
so the minimum focus distance is the
same for the 56 millimeter
as well as the 50 millimeter but what
you’re paying for
is the focus speed the focus sharpness
and also the aperture at f 1.0 brings in
more light so you can shoot in a
lower light situation and get the
beautiful shallow depth of field so
it’s definitely there the value there
and it’s a bigger lens so it looks more
professional
that is itself why i one more thing is
different though the 50 millimeter is
actually equated to
while the 56 is
more that is true
that fact i will not argue with you
jeremy
i’m trying to reclaim myself here with
some more information
all good all good
okay cool so i i think you you guys
proven the point already
i think this is a very good test ken
thank you for showing us how good the
autofocus is
on the 50 millimeter f 1.0 and
it’s it the full name is xf 50
millimeter f 1.0
w ios lw stand for weather resistant
right
yes what was the first letter
oh oh r w r r is kind of like
uh r is kind of like the arrow on the
fujifilm
on the cameraman the air lens oh yeah
yeah like
this kind of like that oh the l lens
like l series
yes that’s the r standpoint in fujifilm
and the wr stands for weather resistance
okay so r is like the rebel lens and the
is not well resistant oh
no it’s not nice okay so we got an
r series lens and a 50 millimeter f 1.0
beautiful cool very very here
all right put it back in there 50s yep
okay
yep there we go okay so
can see oh sorry
you know what this is kind of weird too
what is point zero meter point zero
meter
i’m going to change
okay 0.7 meters to inches is
yep okay that sounds about right okay
[Music]
hey i’m not good at math man that’s why
i got messed up okay
so
[Music]
ah yeah yes yep secretly
yeah so this is the 50 millimeter 1.0
yep we have the weathering system
and it’s made in japan yep like all fuji
lenses are right good quality control
no well some of the
fujifilm nice is made in philippine or
thailand
some of them is mean china as well so
this one is just 56 1.2
the reason why we can’t focus very well
is because you’re using the 56 f 1.2
lens to focus
no no no i’m using another one
f2 that’s the more wide angle oh okay
well the autofocus is not working too
well for you
well this is the like uh
oh yeah seven years old
lenses is too old yes old tech so they
don’t have a very fast uh
other focus even speed yes and also it’s
not that good on the low light
for for the old lens i mean i mean for
the whole lens yeah so here is the test
with the xt4 and you see
how is the airspeed midnight and
bulkhead
and whatever i missed
edges edges edge sharpness
well wait that’s not really tested
unless you like have like yeah
yeah yeah we didn’t really see the
bouquet um but
we can also look at the pdf because i
think the pdf might have some example of
the bouquet right
let’s go oh yeah yeah that’s true this
is official
yep you have to surpass release
yeah so this is you guys can see the
powerpoint
so this is the official fujifilm x f
announced
so it’s the world’s first autofocus
f 1.0 lens for mirrorless system the
largest aperture for autofocus lens
largest aperture for the aps-c sensor
the smallest and lightest
f 1.0 lens they’re really beating on
that
but yeah that’s pretty cool so what is
this
a field of view equivalent to that of a
or 35 millimeter frame camera
really oh because you’re on the crop
sensor so multiply it by 1 000
earlier man
right right right right so then
technically
my canon 50mm 50 millimeter f 1.2 on the
full frame
is better than this i have more shallow
depth of field
hmm but we’re not comparing canyons to
fuji that’s a whole different battle
because it’s a weather resistant yeah no
it’s not
it’s not yeah
all right so uh
yep increase in chief incredibly shallow
depth of field
more options in low-light conditions
again the world’s first f 1.0 autofocus
lens
that mean now ken
do you know 120 degrees of precision
focus
um i’m not quite sure
okay so it says to to make the most of
its super shallow depth of field
focusing must be precise
as a result the xf 50 millimeter f 1.0
rwr
has a focus ring that has been designed
to be more accurate
than any previous xf lens this makes it
possible to adjust the focus
from the minimum focus distance to
infinity very precisely
for this xf 50 millimeter f 1.0 rwr
uses 120 meter oh 128 degrees of
rotation
in this focusing ring so it has it so
the
so the range of the ring is more than
other lenses
right it can move more is that true
so that will make it more precise more
precise right because
like every little turn moves it every
little bit
versus you have a limited turn that
moves the whole range right so
you have more range to make the same
focus adjustment
so yes it is it is i can feel a little
bit small
smooth small smooth or the 50
millimeters
yeah it’s smoother and the the range is
more it’s just it has 120 degree of
rotation
for the manual focus ring so
more precise focusing of course you got
the lightweight durability and weather
resistance that we talked about
oh
that is a shallow depth of field
holy smokes
yeah it’s a gecko and then you look at
look at the ground just that line
yeah good job doug
good job sorry
don’t tell the people’s name man i
didn’t i just said dong
done a good job i just have to
that’s not nice i’m complimenting him
right okay
so more options in low light obviously
if you have f 1.0 you can bring in more
light
so you can shoot in very shallow depth
of field oh caroline tran
is that the the wedding photographer
caroline chan yes
oh wow i remember reaching out to her
like 10 years ago when i started wedding
photography
and she was starting back then and she
has been excelling really well i didn’t
know she’s a fuji x photographer now
he’s like very nice
cool ignite your creativity
long exposure street landscape yeah
basically
you got more light coming in
of course this is the opposite of the
benefit of the f 1.0 right this is like
getting a lot of depth
so you can kind of do this with every
lens but i imagine the f 1.0 is
just a little bit sharper because you’re
stopping down from f 1.0
versus if you’re stopping down from like
f 2.8 so you have extra sharpness even
if you stop down
to like 16 aperture
uh commercial photography you can pretty
much it’s a very
versatile lens because you have to have
f 1.0 doesn’t mean you have to shoot at
f 1.0
but you if you do look at that bokeh and
it’s a round bouquet right because
there’s so many
lens bay element the bokeh is very
pleasing to look at and you know people
can make this into a heart
because if you you know you do a little
trick right
you do a little trick in front of your
camera you put a little heart
cut out you can actually make the
aperture blade into your heart too but
never mind that’s like a different
photography trick
that’s not for us yeah that’s amateur
photography trick
but if you’re shooting professionally
you care about the native
aperture i mean a native bokeh shape
right
and if you buy the cheaper lens the
bouquets usually are not round they’re
more like
ovals they have edges they’re like
hexagonal
edges so this is just a more smoothing
more pleasing look of bokeh
and of course if you have uh f 1.0 that
means you can
um if you open up the lens you can have
your shutter much faster
so you can capture stop motion easier
and still be
attack sharp right because autofocus is
so good even in your darkness
you can get shots like this
and of course the large aperture this
jeremy this is what you’re looking for
right
you want that really shallow depth of
field but when
you watch the dramatic look you know how
when you when they shot a movie they
always go for the wide apertures yeah
and that’s why those movies look so good
um i want pearl teacher like that yeah
i mean this is this is pretty good like
how sharp this is right here but you
still
also have a very shallow depth of field
superior quality at 1.0
oh oh and this is what ken couldn’t test
right the edge sharpness oh yeah
right this is at well i couldn’t touch
it right here but i
i’m going to have a photo shooting with
the 51 millimeters
next week yeah so i’m going to do some
comparing a
review of the lens after i do the shop
yeah and then we’ll we’ll leave a link
to ken’s channel later because he’ll
probably put that on his channel maybe
right
maybe if if not then we’ll ask him to
come on our show again to
share his result with us but this is the
point that
jeremy wanted to make is how sharp is it
at f 1.0
at the edge while you’re focusing on
here right because of course we were
looking at here
you’re focusing right at this point so
yes it should be sharp
but it matters to me because yeah i
think most people pick up this kind of
lens for portrait
yeah and the nature of people’s portrait
is always the devil feel you know the
subject is in focus
and then you have a soft enough feel
that’s the portion when you people talk
about porsche that’s kind of portrait to
talking about
but for me i’m a composition type of
portrait
person yeah i put different elements in
my portrait not just a very background
so
this is actually important to me yeah
i agree i agree and and this is
important for people that shoot
landscape and they want to have a
shallow depth of field too right because
they want to have everything in focus
landscape people will go for 1.0 i mean
most of the time they shoot with f8 to
f16 so that’s true 1.0 means nothing to
them
yeah so i guess in your case maybe at
night
maybe nice shooting yeah i think i think
ken has a point nightfat yeah but the
light shooting i don’t think 50 is wide
enough for them
yeah it is because they’re doing street
photography
live shooting landscape yes
yeah and what does that do with your
photography
you get it oh well maybe someone like
some people wanted to lift a light check
well i was thinking night shot like this
like this right it’s kind of there’s so
many like oh i’m talking about the one
on the on the left and right i mean um
so of course this one you want more
depth but this one
you might not have the chance to get
more depth this one because you want low
light you want to bring in as much light
as you can
then you probably want to shoot at f 1.0
and in that case you still want edge
sharpness
right for this kind of shot even if you
shoot
f 1.0 anyway we
all we care about is tech for now right
and
the edge is very sharp the edge is very
sharp
you can use it however you want edge is
sharp even at f 1.0 so moving on
moving on all right so what lightweight
durability
weather resistant design we got the 12
element nine groups
that’s what helps make the bouquet look
so sweet
you got minimum focus distance at 0.7
meter
maximum magnification of 0.08 that’s
what the result is when you shoot at
this minimum focus distance
this is a diagram blade count the filter
design
the diameter that ken pointed out
already is 77 millimeter
so that’s pretty standard so hopefully
you guys have a lot of nd filters
or uv
filters in that diameter filter size
and the weight is 100 845 grams
little presentation
thank you for sharing that with us ken
this is
yes pretty awesome presentation showing
off the 50 millimeter
xf 1.0 lens rwr lens from fujifilm
yes and i believe that many people would
like to know
when will the lens will be released on
the market
and according to the information i have
it should be on 25th of september at the
end of this month 25th
oh wow of september
yes so in about a week about
a week and then uh yeah a couple days
and a half
yeah nice so you better get your xt4 on
order
so you can combine them with the 50
millimeter rwr
that is a sweet combo that is a sweet
combo
for portuguese and yes i know the like
shipment of the
get it first
you have to um but when they do
we’ll put the link down below but right
now they don’t have it because you can’t
really pre-order yes
so i think some of the shops should be
pre-order now is it maybe b h and
adorama they have a notify me option but
i don’t think they pre-order do they
okay yeah i’m not sure no see
ken’s talking about a day it’s in hong
kong
oh us we don’t know yet
oh that’s true so we gotta get to us
well when i ship to you it should be uh
maybe slower than you’re getting on the
market that’s okay i don’t mind as long
as
you’re paying for it i i can wait a year
just you ship one to jeremy you want to
buy
my address you know our address right so
we’re good we’ll be good take it yeah
i’ll take it
sounds good let’s check out if anyone
have any questions about
our live tasks yes
one more time so amazon live we have no
questions but we do have
let’s be explaining it pretty well
because we don’t have any questions
yes ah awesome
i i agree i think ken did a fantastic
job
i don’t think i’ve ever seen a
demonstration
live like that ken did it really well
perfectly executed showing us the
difference between the 56 millimeter
and the 50 millimeter on the xt4
head-to-head back-to-back
testing on the same object i’ve already
sold a
yeah oh well to my opinion
as uh i don’t think the the 15
millimeter is the perfect fit
for the expo freeze too much weight
on the lens so yeah when you handle it
handling your
exposure you may need a pick a grip
or maybe i would put this 56 f2 on that
yeah which you can buy right now we’ll
put the link on that below
if you guys want the 56 1.2 which is not
a bad lens because it’s a lot cheaper
it’s a lot it’s a little bit lighter
weight and it’s about half the size
uh you are losing the f 1.0
but you you still get the minimum focus
same minimum focus distance
and you’re saving a lot of money and
it’s better balance for the xc4 right
yeah and much more balanced and if you
pull on a battery grip on the sd4 this
looks like perfect
and also not uh that’s this way of the
lens
ibis hand spray i found it fujian xl 50
millimeter f 1.0 lw out is
dollars
it will be released on september 25th
amazon oh do we have the link can you
can you share the link
uh on pixel stabber don’t don’t share it
don’t share it on
um amazon just share it on piece of
style or chat
if you could use usually use the pixel
stabber
link hold on
i can’t find it anymore you confuse me
take your time jeremy so ken anything
else you want to share with our viewers
we we’re
right around the one hour mark i think
this is a really good stream
i mean everyone’s been watching i see a
lot of viewers watching us but they
aren’t asking questions so you’re doing
a fantastic job of explaining everything
so good job there ken anything else you
want to add before we wrap it up
yeah so if you want to see more of the
photo sample
i could wait for the next week because
i’m going to have the demonstration
shooting with the
probably going to do some uh behind the
scenes video and also i’m going to do
well actually i did the comparing of the
test
on the rail shooting i’m going to show
you how
sharpness this 1.0 gonna be
nice nice i like that because obviously
when you do a video or you do
like a picture comparison you have more
time to really dial it and make sure you
get the right
demonstration where is this live stream
not that you care not but
right now this video is actually
streaming under the amazon page of the
fuji 50
really how did we get how many how did
we get that on amazon.com because
i didn’t add the fuji 1.0 lens on
amazon.com
and i know he’s there what’s going to do
what
somebody come up that’s crazy
that’s really cool because i all i
all i attached was like the cat the
cameras i didn’t attach any lens to it
that’s pretty funny but yeah
it’s there he’s there i’ll i’ll even add
the lens
so that we have it here so the fifth
this is a 50 millimeter 1.0 on
amazon yet jeremy yes
oh let me know now
can you pre-order it yeah you can
pre-order at the cart
i see it s2 i don’t see f 1.0 is that
saying the link
uh let me check the link
dude
here let’s send it to you
right that’s f oh wow that is f 1.0
i can’t be wrong twice in one night okay
only one time
okay i’ll give you that right
uh i can’t copy this
okay
uh no because i’m i’m on my pc i can’t
even
i can’t easily copy and paste so okay
i’ll type in xf50 millimeter
x if 50 millimeter all right so i’m
as i search for this ken and jeremy you
guys want to wrap up with any
other stuff
all right cool let me just add this lens
then let me see if i can
add the xf 50 millimeter
[Laughter]
to find i can’t find it oh i found it i
added the stream it’s there
yes okay i’ll move it to the beginning
of the stream now
i can’t believe it wasn’t there before
but it was still it still showed up
all right so i bet it just show up
maybe yeah well let’s put it up
and i just added it right now so we are
linking to the xf 50 millimeter f 1.0
should we add the 56 too
why not yeah because i think the 56 is
uh it’s a good option
yeah people have different um opinions
or plans
yeah plus the price yeah plus the price
right
because the xf is literally 850
now that’s a lot cheaper and you can get
it right now
so that’s the people who doesn’t have
uh any 56 millimeters it’s a good chance
to wait for the 1.0
true yeah all right so double the price
ish uh well with the red resistance
and then more sharpness and more
bouquets
wow about that the only thing i don’t
like is it’s
a little bit bigger and weightier right
it doesn’t balance the xc4
perfectly uh but i guess in a perfect
world nothing is perfect
or in the real world nothing’s perfect
because i shoot with the 72 millimeter
which is a huge lens and that is not
perfectly balanced
for any camera and i still love it so i
probably would be happy with the 50
millimeter 1.0 with the xc4
and if i wanted i can add the battery
grip to add a little bit more stability
and like jeremy said
if i wanted to hold the the camera or
hold my lens
or hold the setup by the lens then it
doesn’t even matter
because that balances out by nature of
where you hold it
true yep all right so with that
i think we are about done with this we
can wrap it up
right let me double check with many more
questions
if not then we could say bye bye and
good night or
in hong kong that will be good afternoon
good afternoon
yeah it’s time to battle all of us after
their lunch all
right oh is it oh it is all right go go
back to work guys
this is done all right guys well thank
you everyone for tuning in
um check out ken’s channel ken’s channel
we will
ken channel we will link ken’s channel
down the link below
and uh check out pixel establish if
you’re not already subscribed to pixel
staffers
subscribe and put notification on so
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are alerted when we have live streams
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establish
like the 50 millimeter f 1.0 today so
thank you everyone for watching
stay healthy stay safe and we’ll see you
soon take care
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no no all right adios we’re out hey guys
and