A7siii Key Features
- Newly developed BIONZ XR™ image processing engine with eight times more processing power and a brand new 12.1-megapixel (approx., effective) back-illuminated full-frame Exmor R™ CMOS image sensor, significantly reduced rolling shutter effect
- Ultra-high sensitivity with ISO range expandable from 40 – 409,600, and improved image quality by approximately 1 stop noise reduction(4) in the middle and high sensitivity ranges
- Video recording capabilities include 4K 120pi, 10 bit 4:2:2 color depth, All-Intra recording, XAVC HS format with H.265 codec and more
- 15+ stop dynamic range for movies(2)
- 4K 60p 16-bit RAW video HDMI output for the first time in the Alpha™ series
- Fast Hybrid AF system with 759 point phase-detection AF sensors covering 92% of image sensor
- Enhanced Real-time Eye AF for movie recording and still image recording
- New heat dissipating mechanism and dual slot relay recording enables over one-hour long 4K 60p 10-bit 4:2:2 movie shooting
- 5-axis optical in-body image stabilization supports handheld movie shooting, with added Active Mode to support especially difficult handheld movie shooting
- World’s brightest and largest(10) new 0.64-type 9.44 million-dot (approx.) OLED electronic viewfinder
- Side Opening variable angle LCD screen enhances shooting flexibility
- Completely redesigned menu system with touch screen interface and touch operation
- High-speed continuous still image shooting at up to 10fps for more than 1,000 consecutive uncompressed RAW images with full AF / AE tracking
- Dual CFexpress Type A card slots that enable high speed data processing while keeping the compact size
SONY A7Siii will be available in September 2020 for approximately $3,499.99 USD and $4,799.99 CAD.
More Information at SONY official website
Where to Buy?
Latest Price: https://amzn.to/2TAFkRD
Video Transcription
three two none three two zero
four three five seven one action we are
live right okay i think we are live
we are live we are live we’re live we’re
live
and is sony live yet sony’s almost live
in fact sony’s gonna
announce this camera in less than eight
hours right
uh 10 am eastern time tomorrow
this camera will be fully announced but
hey guess what a lot of specs are leaked
and
at this point these are pretty much your
official specs as far as i’m concerned
i don’t think these are wrong but anyway
hello everyone and welcome to pixel
stylers today we’re talking about
the sony a7s mark iii
potentially the canon killer a killer
and i’m a canon fanboy so sony
let’s fight let’s fight and jeremy
you’re not a sony guy wait what’s on
your head
let me z alpha b alpha
oh you think you’re alpha are you no
you’re alpha for now i used to be
i still can alright
well so yes i’m a fuji x photographer
yes but under my contract i’m allowed to
use and talk about any other camera but
that’s not i also talk about fuji
so that’s actually perfect you think
about it as a photographer you don’t
want to limit to just one thing
yeah no your creativity should not be
limited right
i agree same thing on goal gear so
that’s why i love the contract
yes very cool oh dude anyway i’m just
here for the show it’s hot
all right well that’s what i love to i
love i love that we talk about all gear
even though i’m like a huge apple fanboy
i’m a huge canon fanboy
but when the zv one came out for sony
i’m like i want this this is my camera
right and you know the xt4 came out from
fuji i’m like this is awesome i want
this camera
so as long as we’re not biased because
we like one brand over another
and we just use and talk about the gear
as they are i think that’s perfect
so today we’re talking about yes so we
were getting there a lot of people don’t
really understand the whole
sony line as a x sony allison
um to be honest this a7s
siri is one of my favorite too besides
the rx the rx is
i like it because it’s different right
the rx cv
but i’m on the camera i use because
shoot a lot of
time photos even though most people
would use the a7s
as the video camera right but i do it
for like low light
right for example doing wedding days in
like in the banquet right i could
literally turn the iso as high as i can
and kept it wherever i want and will
vary no noise
yes and use pretty much ambient lighting
or just a led light because you don’t
want to be in lighting
one of my um favorite um
wedding shooting camera is the a7 i
actually have an a7
s2 before okay is this seven s2
just one generation beats for the a7 s3
or is there like a bunch of camera
online this is the first generation
a lot of people was waiting this the
longest time how long has it been
five years wow but in between it like
there’s an a7
r4 too well think about this think about
this yeah
because when the first generation is a7s
yeah when it comes out the no noise
performance
kick everybody’s butt yes okay
and yes and then the next innovation
a7s2 comes out
it’s actually good enough for the next
five years that they don’t even make a
better one
yep but then for the other c with a7 ow
yeah they they are at generation four
right now
so they’re better than the a7 s2 it’s
different they’re two different cameras
different okay
so the a ac is this e-mount series right
so a7 our i’ll stand for resolution
meaning that it has a lot of megapixels
that’s why the new
uh sony a7r four yes 61 megapixel
so that’s what we have linked down right
below with the a7
r4 and it comes with like a gimbal
and a lens and an accessory pack really
good deal on amazon by the way
but if you are going from megapixel
that’s the camera to get but if you’re
going for like
low light and video but one thing you
understand though for a7s series
it’s remaining at 12 megapixel what
even this a7s mark iii is 12 megapixel
they’re smart because they’re going for
low light capabilities because when you
craft a lot of megapixel in
yes no light and also uh low heat
oh heat yeah heat and as well as
probably
i mean think about it yeah this
basically is
acid stand for sensitivity oh that’s
what
the s is for okay but then um in the
original concept i think they don’t
think about
uh widow that much but it’s good but
then a lot of videographers um
actually during my time of being waiting
for towers i see a lot of people moving
just the camera body right from canon to
this because
it is just that good and they still use
your um
the canon lens on a yeeman and mounted
on a sony body i see a lot of it overdo
that
i’m actually messaging you right now
because i have a question for you
jeremy oh can we do
that and that’s up to you that’s your
call
if you feel comfortable then i don’t
feel comfortable you can’t do it not me
i just got accepted to it let’s not
let’s not
yeah dude i kind of want to
i kind of want you to do it do it you
can do it i can’t i shouldn’t do it
okay okay i i will actually introduce
myself
um hang on guys so what i’m gonna do is
i’m gonna share this video that we’re
doing right now the live video
to the sony enthusiast group
on facebook and i hope for the for my
sake of my life that they don’t kick me
out because i just joined the group
today
they shouldn’t you’re not selling
anything yes it’s just that in my
position that i shouldn’t
all right all right cool cool share now
uh let’s see share it to a group
because they’re a group right this is
cool this is cool
sony yes yes and then let me say
something
uh excited about the specs
excited about the a7
s mark iii
is uh um
are you getting one is it better
is it bet is it the canon killer
that’s what i’m gonna write actually i
should even share what i’m writing for
you guys just so you can see
there there we are yes excited about
this
a7s mark iii are you getting one
is it the canon killer uh
[Music]
actually it’s actually cannot yield as
our five killers not that all not all
canon killers but you know
you don’t want to type that long there
you go why not
hi guys i’m new to
the group be nice
please don’t kick me out i just joined
the sony a7 they’re cool
yeah they’re cool they’re all um
that’s not the official sony group so
you’re cool
hi guys i’m new to the group please
don’t kick me out for sharing this
please don’t kick me out for
sharing this live
stream there we go
let’s post it are you ready go ahead
doing it boom boom oh wait i need to get
the uh
um their admin to approve it too
so you can’t do nothing about that yeah
so let’s
yeah so anyway while we’re waiting for
the admin
um just keep doing it
we’re gonna wait for them to approve and
then so you can start talking no we’re
not gonna do that
of course not so i let’s just look at
some of the the specs here right because
oh by the way guys this is our website
pixelstables.com
it’s not officially launched yet we’re
still working at the
the details but since you’re watching
this live you can check out our website
at pixelsnipers.com and here jeremy and
i
we are photographers uh jeremy’s been
doing wedding photography for 15 years
i’ve been doing wedding photography for
we have passion for camera gear for our
tutorials on photoshop
lightroom luminar and the business of
photography
and the art of finding your own style
your creativity also
this is the this is the ironic thing is
that i used to be a sony ambassador
there you go but now i’m fuji yes
yes but he still knows a lot about
sony cameras i i basically
worked with certainly when the nobody
rounds up
until two years ago ah
so i help them develop a lot of the
cameras
wow no kidding no kidding
i actually feel kind of i should study
more about fujifilm right now because i
love
the camera design but because my history
i actually know all the sony
stuff in my back of my head wow
so there you guys guys this is why we
have jeremy
on the channel right now because he’s a
ex
sony ambassador and he’s actually helps
him design cameras so he knows a little
bit about the culture
the engineering side of things um plus
right now we’re just going through the
rumor specs and
dude i i want this camera already and i
don’t even know the full specs yeah just
because
it’s set up right sticking to it that’s
the correct alright so what do we got
here so these are the rumor spec
so number one definitely have to be 12
megapixels
okay so it has to be what is the
megapixel of the
a7s 2 is it also 12 also 12.
okay on the first generation is always
and the ultimate question because i’m
more i’m a photographer but i’m also
more of a videographer
and my question for you jeremy because i
don’t print my work
i deliver all my work on dvd dvd
i used to now it’s all online but i
deliver client
wedding photos online i don’t really
canvases the big calculus so my question
this is beyond 10 years ago okay i
always say 15 6
yeah probably 15 16 years ago i was
i’m working my job back then is for
retouching sl as a printer
okay now back then the cameras are not
that good i’m actually
uh we’re touching a lot of digital
photos that shot with like
five or six megapixels camera i can
totally blow that up to 16 by 24
inches canvas size not a problem
we talked about five or six megapixels
back then technology sucks
i keep i still can build that up that
big
so what do you think i can do with 12
megapixel
oh yeah then it sounds like it’s i guess
what you cannot do
is you cannot crop much because at 12
megapixel
you’re kind of at like the edge of what
uh
yeah 30 by 40 picture can you print a
camera unfortunately that would minus
only the i still crop
i don’t care what megapixel yeah well
you know the cool thing about
canvas is that it has a natural canvas
texture on it
so even you have some noise it adds
character to your picture
anyway well i’m talking about canvas
because
most people bought that yeah because
it’s a good thing but i could also bring
on photo paper
and now for the photo paper if the
glossy or semi-glossy it hides some of
the default it helps but we also put it
on matte paper it’s like those finite
matte paper yes
looks pretty good so bodybuilding
business 15 16 years ago
so think about the technology nowadays
what can you not do
right well the technology is more
advanced but printers
can do better job with just 12 megapixel
now plus
the 12 megapixels in these cameras are
cleaner
than before even though it’s still 12
megapixel the
the the so pixels one thing most people
if you are sending your photo to
say walgreens costco shutterflies all
that okay
it does matter because they don’t know
how to handle a photo oh really
what i’m talking about is you send it to
azure professional printers
who do professional artistic print they
know how to handle your files
it’s about handling a file to get a
print all those
online there they basically you send
them a jpeg they print as this
fair enough so you guys have
professionals that know how to optimize
the print job for the image you deliver
them
bottom line this is rumored to have a 12
megapixel sensor
is that good enough and i think yeah
answered it
so yes and should there be any concerns
like
should i pick a camera that has more
megapixel like the a7
r4 or the a7 s3 that
it really depends what you need the
camera for
don’t tell me that you want a camera can
do it all that just i want the camera
can do
everything and not overheat
i need 64 megapixel record at
you go over here i think i sent you a
video about that
uh that review from one of the working
photographer who revealed about the
canon eos r5 and
so unhappy about it you know the whole
story is
canon basically sent him the phone the
camera for him to test
and he used the camera for his job right
he didn’t
do his job you saw that video right no i
didn’t watch it i didn’t watch it
oh so he was basically he able to get
the job done but again
a lot of hassle for example while it’s
overheating the pro
the problem is it’s overheating it’s not
even shooting a full movie he’s shooting
documentary
piece by piece together right so at like
around
while the camera is on shooting for
maybe 15-20 minutes it’s overheat
so he had to help just take a break need
to put ice pack on the camera and want
to try to cool it down what
is that that is so professional no it’s
totally
not happy with the camera like that oh
so that’s that the reason
why that would happen for the canon eos
it is good it’s a good camera for taking
photos one snap
but when you’re using a 45 megapixel
sensor and try to do videos
with in a small body yeah you will have
overheat for sure
yes i agree you think about that
yeah that’s why um
it’s only way way back when we discuss
they did a really good smart choice okay
unlike ken i don’t know what canon’s
doing
i never use canon i don’t understand it
cannot but what sony did is
they identified the line into the a line
the a7 and the rx
is basically uh the opponent shoot right
right you know the ios 100 and then also
the cv one right now
that’s the alex line you know it’s it
could do professional if you wanted to
but it’s not meant for all right and
that a-line is pretty much
for uh the body build itself is more
tough so it’s
kind of you know how some of those
people are saying that oh i gotta use
canon because it’s professional what’s
up
what’s so professional about it because
you could drop the camera it won’t break
you keep shooting
that’s the a99 and also the frame way
because you need to capture
things that happen on the fly it has
like i don’t know
how many frames like 12 or 16 frames per
second now yep
and it’s let’s go pretty good so that’s
the a9 and then
in the a7 they basically separate them
a7o
and say a7s in the beginning it was so
convincing for everybody
why you have so many lines because they
are not building a camera that can do it
all their brand itself that has hey if
you need to do photojournalism
and go to the warzone whatever get the
a9
if you’re just having fun you want a
small pocket camera get the rx 9
but if you are working okay we have the
full frame like that
if you need just doing pictures and you
need a lot of mecha pixels get the a7
outline if you have to do low light
or even do the video get the a7s line
there so you have to identify who you
are and what you need to get which model
ah that makes sense that that that makes
total sense yeah so they’re not gonna be
ambition about i’m gonna be a perfect
camera for you
no you’re not fair enough so
if you are okay with 12 megapixel you
know who you are
and if you need a lot of mega pixels i
have a lot of picture
of what winning picture are from 12
megapixel
it doesn’t matter that’s all that
matters so if you need
a lot of megapixel then you know who you
are you’re probably those people that
take a huge picture and crop in like a
hundred percent
or something oh hey we got some um
comments here
so we got um one comment here says did
you guys watch
b nh’s preview video uh not yet so yeah
yeah so that way we won’t
we won’t get daily by other people’s
thing we basically focus on what we
think about sell first we’ll watch those
later
yeah so the reason why they wanted us to
watch it is because b h
uh actually created a review video which
leaked all the camera specs already
so we we should check that out later so
everyone is watching this
if you want to watch the official spec
check it out but i think these rumor
specs
are pretty much the same thing because i
mean we’re only a couple hours away from
the official release anyway
and this is our opinion right because
being the age they’re a big company
and they’re they’re probably making a
video with kind of a contract agreement
i don’t know yes or no
for sure but i know they have to say
good things about the camera because
guess what
they’re selling you the camera there’s
incentive for them to say
good things about the camera we have no
benefit from telling you
how good the camera is in fact our job
is to help guide you to make the
decision to buy the right camera
what i was trying to do is from a sony
photographer
well x4 it’s only for that expensive
talk about all this how i feel about it
not how good the spec is to be honest i
don’t really care for once
i don’t shoot videos second i’m not with
sony anymore so sorry
but this is just my opinion yes yeah
so if you guys want spec and you want
someone to glorify how great the specs
are or something
you can use next yeah and you can go to
bah and they’ll say the best the
sweetest thing about the spec because
guess what they want you to buy the
camera and we’re more
i think i’m more like that i’m more of a
spec guy but jeremy
he’s more into like is the camera
functional for what you need it for
like really do the job and really do it
well regardless not so i care
the culture of the company why are they
doing certain things
rather than would that feature work for
me because you know sometimes
a feature you might not never use that
feature before it’s new
yes so how do i know what for me well
you gotta be open-minded
right right and meek photo says what is
the process of getting on amazon live
oh it’s pretty easy my friend you wanna
say
invitationally i don’t know it’s sort of
invitation only
uh in the earlier phase it was
invitation only but now
you can actually apply just go ahead and
google amazon live
uh here let me actually show you on
screen here uh there’s an influencer
program so
how to be an amazon
on live influence awesome right
and it’s pretty easy because there’s an
application program
uh right here so amazon
live video influencer faq
right
[Music]
download the app
influencer and then what you do is you
apply here so you sign up here
so to stream on amazon influencer must
be part of the amazon
influencer program if you’re not already
the investor
influencer program and you’re interested
and you’re interested
oh my god casper if you’re not already
in the amazon
influencer program and are interested in
live streaming you click here to sign up
and that’s all it is my friend
let me actually get this link here and
copy and throw it on youtube for you
so that you can apply if you’re
interested
amazon live is a great platform to to
just share content out there
and also at the same time make a little
money too because if you guys are
interested in any of the products we
talked about you click on down below
that helps us generate a little bit of
revenue so that we can continue to make
great
content like this for you guys so meek
photo thanks for your comment
good question and looks like you’re
watching us on youtube so
make sure you thumbs up on youtube too
uh but we are also on amazon live and
we’re also on twitch tv right now
and we’re also on facebook so we kind of
stream on all platforms
so let me close out this comment here
let me paste the link but before i do
that
i’ll let jeremy talk about the next
point for you as i do that how about
that jeremy actually need help on that
one
you can’t read it i mean no not that i
can’t read it
i’ve been gone from the from sony for a
while so i don’t have the internal news
and some of the new features
i didn’t follow so for example uh
[Music]
i don’t know what this new stack design
of the
sensor is anymore
okay um stack design with
integral integral oh well remember now
they have two
two layers okay that’s right okay
actually i don’t know can you explain
jeremy
um i think it’s a different technology
that um the light
when hit hit the sensor it actually go
for two
layer of sensors oh so it divides up the
work
yeah and then also i guess is it the
sensors
are different so you know how rather
when they you know the sense the full
frame sensor size
doesn’t really change rather you click
you can
grab like 61 megapixels yeah or 12
megapixel
on it yeah but the pixel itself it gets
smaller or bigger
right so for this i think they kind of
keep the
pixel size bigger that way they could
control the noise
but then they stack it so you know you
can get more information when you have
two layers so more pixels but at
not sacrificing too much of the noise or
rather they’re not coming that much more
pixel because it’s still 12 megapixels
but that’s actually
that kind of design require um your
graphic chip to be super fast able to
process all that
yes or they have dual processor dual
core right so
we have one processor processing one
layer another processor
processing the other there so let’s
let’s see what um this means a stack
design with integral
memory rumored let me see
if do you mind if we pull up um one of
the resources online about it or do you
prefer to not jeremy
sure go ahead all right because i’m
going to pull up uh
sony alpharumors.com because they
actually know a little bit about this
all right cool so we’re going to borrow
some resources
from sony alpharumers.com and they
they’re saying the a7s3 will have a new
snap image sensor with integral memory
uh dude this is back in 2018.
it’s actually true now it’s still a
rumor
yeah and technically it is yeah so but
what what
what what is it
i just said it earlier it’s just a stack
of uh sensors
there you go okay i won’t be looking
more into it because it sounds like you
already know what you’re talking about
jeremy i wasn’t sure
that’s why i wanted to check it myself
but so it uses stack sensors the benefit
is probably to fit more
more pixels without without
introducing noise or rather in this case
because they’re keeping the megapixel
the same
then they’re also going to be able to
reduce the noise because the megapixels
are the same
but now i don’t know because last time i
remember this type of technology is
actually held with the color
okay it processed color better so i
don’t know about mega pixels because
in this case you have 12 megapixel i
mean it’s a 12 megapixel camera
why why you want to keep pushing up the
megapixel while you want to keep the
megapixel down to control the noise
and get the sensitivities the the way to
get more sensitive
light sensitivity is get your pixel
bigger
yes not smaller so that doesn’t make
sense to me so some of those women might
be just
like wheel warmers so let’s look at
techradar.com
and this is a recent article this is
published four days ago
so they say they there are certainly
plenty of rumors to go on
including talks of a brand new stack
sensor and an exciting viewfinder
okay so what is the stock sensor don’t
talk about it
no one’s really talking about this okay
no they did a really good job hiding all
the perspective
okay from sony okay so uh remember
backwards only we have to decide a lot
of things and not talk about it
okay so if you do it well so if you want
to know more about that
google it guys because we don’t want to
say anything that we don’t know
you know why being they came back
because happiness killed themselves on
camera that’s why bnhs
had those they probably grills only so
bad that they
give us the spec we don’t we need to
talk about it before your launch it so
we get more sales or whatnot that’s what
we’re trying to do
so if you want to actually know more
about the spec spec then check out b
h’s uh review video that’s already
leaked for the a7s mark iii
um watch this video here for
our real life perspective of
these specs and how we think they’re
actually useful
in everyday shooting
right okay so the next
point here is there could possibly be a
modem yeah forget about that that’s a
total boomer fan i don’t know why i copy
that in there
forget about skip that one all right
we’re expected to see a dci 4k
capture at 60p that’s well as a video
guy you gotta tell me
that’s a good what’s the dci dci
uh
dci video i don’t know
this guy’s digital system okay
initiative
okay okay it’s one of the most prominent
standard for a cinema industry
so it’s it’s got it it’s h365
and 4k streaming so just just more stuff
okay yeah just more more geared towards
streamline cinematic 4k capture
compression so you have
uh every frame capture without
introducing extra noise between the
frames
uh so i i pretty much say it as a given
that’s just gonna make your file bigger
but it’s more
quality for higher so managing so
back to um the whole 12 megapixel full
frame sensor okay right
from what i heard that you could
actually go all the way down your iso to
ankle and also maximum sensitivity you
could go already up to
that’s insane 400 000
iso that’s almost night vision
pretty much that’s um if you ever been
to a trade show let’s say
uh wppi uh uh
photo plus or in germany uh what’s the
uh follow
quina folkena you have this booth
it has it’s a dark room when i said that
room is like honey you won’t go in
there’s no light
peach dog yeah right and then they have
this certainly a
a7s pointing to the darkness
and when you keep turning iso you see oh
my god there’s something inside
like yeah monster or it’s like a hot
chick or something
behind all the darkness that’s pretty
cool that’s so cool so
i mean that’s why you deal with uh 12
megapixels you know what it’s so fun
about that
that that that one yes so i love that
that
that campaign they put in 87s yeah
they put a nikon the highest level one
and they put the candle
outside while they let the people play
around with it
yeah you cannot and nikon can’t see [ __ ]
even at like the extended iso range
right they just can’t because they can’t
get to that level or
if they get it it is so bad and muddy
and while the sony as
a7 is so clean relatively because
at 400 000 iso it can’t not be clean
clean but
it’s at least usable somewhat but
you can see how big a difference it is
you power it relatively but
it’s clean i i used to like that during
wedding day
i shot natural light using that i go all
the way up i tried it
i could use a photo well black and white
of course
yes of course yeah or make it artistic
add some texture because then
now it’s natural greens and it just
looks like wow nikon can i couldn’t do
it sorry
um you got uh four two two ten bit
internal recording
that’s just really high quality bit rate
for video
normally with some of the other cameras
you need at most ninja to record in this
higher bit rate as an external recorder
but this one now you have the capability
the processing
inside the camera can record four to two
and if you don’t know what it is just
know that it’s like super high quality
bit rate for colors and just resolution
for video so normally you would have to
have extern recorder
with other cameras but this one is built
in hey shooting 4k
with 120p is a huge thing that’s pretty
big
uh that’s what do you mean you can do
that there’s a file um
no for like is it a good like a deal
breaking thing
feature i would say it’s it’s pretty
it’s pretty standard for like gopros and
action cameras
but for a high resolution dslr
it’s definitely a new feature because
with the
the 1dx mark ii that i had
it was revolutionary to even get 120
frames per second
at 1080p so yeah
terms of
being able to do that with a high
quality dslr camera
wait this is mirrorless huh yes of
course
a high quality camera not just an action
camera
that’s that’s that’s good to do 4k
they’re removing the 20 minute
restrictions oh yeah 30 minute
restriction
and i guess this was a big deal because
in the past when
camera like photography camera
manufacturers had longer
video recording limits then they fall
under the category as a camcorder and
because they
are under that category they get charged
and taxed
as a camcorder in addition to a camera
but i think now that either that law has
been
changed or sony is actually willing to
pay the extra tax
to actually allow this camera to record
more than 30 minutes which i think is
very very
helpful for creators it’s a cap it’s a
cap for
the technology it’s not a cap full of
videographer because
they got to make sure that they have a
device that works
but then most of the time even though
they say 30 minutes most of the time
it’s not 30 minutes it really depends on
where
the video offers working is it in like
really cool places or is it really hard
places
indoor outdoor that varies but around to
be honest most of the camera
will die within 20 minutes well that’s
because you’re thinking about the heat
limitation
i’m talking about just the duration of
the recording limitation
even yeah that’s what i’m talking about
the reason that we put that
restriction because of heat no they
don’t they don’t want to let
the camera do it that long well so there
is two restrictions one
is heat and one is uh taxation
even oh that okay yeah yeah i said what
you mean yeah so there’s two reasons
uh but now that they took off the 30
minute restriction it’s great for
videographers that like me
that want to record a long video in
front of a camera for my youtube videos
right
with a mirrorless camera i don’t know
when it stops recording because it just
silently stops recording
after a limitation let’s put it this way
do you think the canon eos
r5 can live even though they don’t care
about money or attacks whatever
can they lift a 30-minute restriction
um i don’t i don’t know if they could or
not
right now are they limited well no i’m
just saying if they’re limited
yes even though they live this 30
minutes
can the camera do more than 30 minutes
only if you do 1080p but if you record
so it’ll have to be limited to a certain
range that
so-called restriction is for both it’s
not just
yeah taxation it saved their face
because yeah you know what you know
this is limited you can’t go beyond that
because right you literally cannot go
beyond that
because the heat yeah that’s what i’m
talking about right now if they do this
meaning that they’re confident the
camera can do it
yes yes agree their camera is capable of
recording
at the higher bit rate and not be
limited
by the 30 minute but see it’s not clear
in this room respect
if this 30 minute limitation is lifted
and if it’s allowed to record more than
in 4k 120 frames per second or 4k 240
frames per second we don’t know that
that might be a different spec find out
yes seven hours
right right so this is something to
think about but at least for 1080p
i’ll be happy to know that the
limitation
is lifted so that i can record a long
video and not have to worry about
this 30 minute limitation all the time
so that helps
so next spec likely to use a similar
design to the a7r
mark iv that’s what that is nothing
all a7 camera looks exactly the same
anyway so just like that’s why i don’t
like
that’s that’s why what i don’t like
about it because when it
back then when i try to pick up the
camera i cannot tell which is which
most of the time yeah is that that’s my
problem
with what the x mark iii and one dx mark
ii as well
because i i i have two and i don’t know
which one i’m using
but it is a nice thing because when you
have the same body you get very familiar
with the functions of the buttons
until and now yeah back then one with
sony and now i’m not with sony
i still do the same same thing they have
the ugliest camera design ever
it is it’s kind of square and bulky and
they click
they don’t care about the look they care
about the features
that’s why i go with the rx line because
the rx 9 actually looks better
than the a-line the sony rx the point
shoot
yeah okay because this does look like
too much crammed into here
they tried to do a lot i mean they have
a lot of these three
yeah it’s pretty crazy okay so same body
as the a7r4
and then you have addition of a
multi-selected joystick
yeah you just saw it there this is
that’s right here right and that is
is that is that used for selecting
autofocus point or do you know what it’s
used for
it’s a joystick it depends how you set
it up
but typically in canon we use it for
selecting auto focus point so hopefully
i think you do that too okay yeah
so that’s nice it lets you jump around
and pick your auto focus points as well
as go through maybe the menu as well
um possible cool event this is
interesting i never seen this but that
that would be interesting
so now that it uses up so much
it causes so much heat but heat
translates to
energy and energy translates to me
battery life so because even though it’s
able to cool off
a 4k recording and record for a long
time
it’s going to be a big suction on
battery life i think
i don’t know how much battery capacity
has and how long the battery life will
be but
if it’s if it has a cooling vent to
really cool it off
that means it’s going to probably use up
a live battery too so we’ll see
well if you’re doing uh follow that
doesn’t matter
but if you’re doing video i thought we’d
offer use the body and have
a lot of external batteries already so
and then it’s always mono on something
so
it’s not like handheld in it true but
pretty cool that they’re gonna have a
cooling vent
that’s interesting hopefully they use a
quiet fan so it doesn’t
uh make too much hopefully yeah it’s a
very quick including bent
cooling vent doesn’t mean that’s a fan
passive
okay oh yeah that’s true very cool
all right so it’s gonna have the world’s
highest resolution evf
expected that’s pretty cool
i don’t know i mean that’s a little bit
overkill currently right now all that
yeah
ubf i think it’s pretty decent and good
enough already so you know
what another high resolution yeah yeah
i mean the evf is so small already does
the high resolution really help you’re
like looking just on your screen already
it depends some people really still
complain about the wheel
wheel finder compared to the evf it
still doesn’t look the same
so they’re still trying to refine the
technology so that it looks
as real as possible fair enough fair
enough
okay so we’re expecting to see high
resolution on the evf
and then you have increased
magnification to
i have no idea
okay i don’t either so let’s just skip
that point skip that rumor for now
uh touch screen control on the rear
display
is that the first for sony to actually
have a touch screen on that i think so
wow wow that’s pretty crazy because i
know canon has been
having touchscreen on their cameras for
a long time
they have touch screens for hours line
the a7 line probably
okay is it the first i don’t know the
first
okay maybe so here are some other specs
that you
round up these are more like uh more
hard spec right
like the price so we’re looking at
potentially 3 500
u.s yeah see this is what dressed me
like 3500 i could get myself a full gg
fx50r
medium font
[Laughter]
which is i don’t know if you want
megapixel but this camera is not about
mexi pixel right it’s about sensitivity
it’s about having that high low light
capability with the same concept though
the reason why the a7s full frame has 12
megapixel because
your pixel is bigger so you can control
the noise if i
only care about controlling noise no
light performance so it’s my
medium format way bigger than full frame
so i got my pixels yeah yeah so it’s the
same thing
if i don’t care about videos yes but
with the larger sensor you actually have
a slower
shutter rate or not shutter rate but
like um actuations per second
yeah it is the medium format that
carries on
well yeah you have it’s a whole
different battle
it’s a whole different battle but the
price is the same yes
yeah well but then the lenses cost a lot
more but you’re right
this this of course if you if you’re
comparing okay hold on hold on hold on
we say lens costs more if you go to
amazon live
your link i’ll link and you look at the
lenses that you put down there
all right how much are they causing like
the hun
the 135 one point is two thousand
dollars
the seventy two hundred two point is
twenty four hundred dollars
okay so those are the twenty four one
point four is fourteen hundred dollars
it’s almost the same price the medium
formulas are even more expensive
what’s your point hang on
i wanna see how much fuji medium format
lenses cost we’re talking about
twenty three hundred dollars
seventeen the forty five two point eight
six seven eight hundred dollars
okay and then you get people what’s like
four five hundred dollars so what’s your
point
i guess i don’t have a point but um
if you’re talking about medium format
versus full frame
uh and going of course we can we can
compare apple to orange this is two
different things right you know
but people will most likely now today
people buys only a7s series
for their video capacity and right
sometimes well they wanted low light
performance so that they could basically
shoot more because
if when you do video you don’t do flash
you need
you need the light sensitivity to
capture um
the videos in the sensor so yeah that’s
it but
you know for me just like i don’t do
video and i
more kind of moving towards the
commercials so getting a medium format
camera is probably
what i need i’m just saying yeah yeah
and for me
as someone that does videography more
than photography nowadays
i think 3 500 is a nice price for this
camera
given the ability all the recording
options it has
including 4k 120p you got the 10 bit the
this is pretty cool too i believe you
have autofocus at 4k
oh no no never mind the autofocus is
down below but you still have
so
basically what i’m saying is that this
camera is really
high-end in terms of the functionality
for videographers
yeah totally great for a low light and
this is a feature
that a lot of videographers have been
looking for and for a price like this
it’s really sweet and i think there’s a
flip out screen too
yeah so just like the cv one wow
that flip out screen is actually huge
for videographers
oh yeah um this can potentially
allow vloggers to record with a full
frame
sensor with really fast prime lens
because of the flexibility of this
camera now i know it’s still heavier but
it opens the door
for potentially doing that it gives more
yeah but anyway the price i think is a
really good price for the functionality
that it offers
true yes so a lot of video capability
uh 120 frames per second 4k you have the
bit rate
we talked about the 422 colors pretty
high yeah uh 4k
at 120 frames per second output over
hdmi
that’s i think that’s the first i’ve
never seen that fast frame rate at 4k
over hdmi
you got no record limit at 4k 60. okay
so that’s where it is
that’s where you said if it was the eos
r5
right you can’t do 4k 60
very long can you i don’t know you told
me that right no
that that that we offer who does
documentary basically bash the hat off
again
did he do 4k at 120 or did he do 4k at
he didn’t mention they actually didn’t
say that but then he
that camera failed him on the job that’s
why his piss
right well this this potentially
well i don’t know if because the thing
about sony is they actually really
you know how it titles basically this is
probably what kills that
well it’s not just canada basically any
cameras out there except for panasonic i
think panasonic is doing pretty good
with um the video
i’m not sure i will follow panasonic for
the video and the song is one of the
best
for um doing video for case and stuff
okay
that’s that’s what it’s good for let’s
see
if they really don’t overheat at 4k 60
because like you said they have to have
confidence if they want to introduce no
record limit
and do 4k 60. but can they do it
well so far you know i’m not with sony
right now but it’s only never failed us
so far i disagree i totally disagree
because uh the sony rx100
four i believe recorded 4k
video and it always overheated always
well your how big is how big is the
always one hundred mile four
pocket size like uh yeah okay
and then you gotta understand this is
two different line the rx line and also
this is the
eighth alpha line okay i’ll give you
that i’m actually coming from the alpha
line i mean
definitely we fail much yet we will see
we will see um that’s why i probably
wouldn’t pre-order this
i would at least wait it makes more
sense you got a bigger body yeah
okay same sensor yeah less megapixel
yeah
if you think about it what the
technology goes on um the potential is
there to do it
yeah let’s get you get the vents
potentially i mean they’re not being
ambition and putting a 45 or 61
megapixel and
tell you that i could do 4k forever you
know that’s gonna happen anytime soon
yeah that’s too big right okay there’s
no way you can control all that noise in
right right it is a lot to handle
for sure you have new codec similar to
the sony fx9
i don’t even know what the sony fx9 is
because it’s new
that’s what it just said but what is it
what does it if oh it’s a full-frame
video camera it’s it’s legit
it’s a 11 000 camcorder very expensive
but very good wow
dude yeah i think they have a campaign
to try to
tell the tv station use this itself
molly this is this is not for us this is
for me
like studio news team and whatnot that
kind of stuff
yeah but basically they have the same
codec as this bad boy here
yeah so that’s pretty good
uh af autofocus system is similar to the
a7r
mark iv um which is good
is it is it the how does it compare to
canon’s dual pixel out of focus
i never just cannot so i can’t compare
okay i would say right now
for based on all the reviews i’ve seen
online it’s generally
canon and sony they’re head to head in
terms of autofocus
i think canon was ahead a little bit
earlier with um
dual pixel autofocus but i think sony’s
a little bit better now
so if wait why are you talking about
focus goodness two factor one
is it fast enough uh second is is it
accurate
which part you’re talking about fast or
both
yeah i think sony got a hat on accurate
yeah that’s probably more important but
i think both
sony has been better i think sony’s been
bearing both
because canon has done well with the
dual pixel autofocus but the dual piece
autofocus is the same
mechanism that’s been out since the 1dx
mark ii
which is for maybe five years now
so you gotta you gotta push forward
though
you can’t really count the canon 5d mark
four though system compared to this that
is
a single lens effect it’s not mirrorless
so technology on the focus is different
right so you’re counting from i would
say the eos r5 o6
that is well actually no they have a
downward which is really bad
the one you have is what m50 yeah the
m50 is pretty much
decently modern but it still uses dual
pixel autofocus yeah but when you move
around turn on
and it’s kind of not well think about it
sony has what’s only
how many generations a7 has a a7
original
a7r a7s xml has like four generation now
so like sixth generation
from it so we talk about the sixth
generation of the autofocus
it tends to be much better than what
canon has with the current
newly introduced mia let’s camera
i’ll give it adjusting yes so we are
definitely improving in terms of
technology and then
so the a7r mark iv how how recent is
that is that
relatively recent of a camera i finished
last year okay
so and people are are loving that
and you’re telling me that the autofocus
is really good in the a7r mark iv
so then yeah i focus i think they all is
it
is it i forgot is it a7r4 that has the
pad i focus too or is it rx
i forgot i didn’t but that one has the
eye focus i know
so i know they i got it from that i’m
not sure a little bit about it
i i haven’t you know followed for a
while but
that’s pretty cool yep and then of
course you get the 600 megabits per
second bit rate that’s recording video
you have the base iso of 16 or 160 for s
log 3.
no dual iso yeah i don’t know what that
is
no no iso the almighty google
a7s mark iii what does no
dual iso means
okay i’m on it oh seriously siri is
trying to search for it right now too
siri i i don’t need you to search i’m
already googling it
okay um
what does this mean so sony alpha rumor
also talked about this
and this is recent yeah so no dual
iso dude this is all they said
there’s no more detail and else
so what does it mean to have no dual iso
so i don’t know why they put it there
you could just say dual iso
but you put no do i know you don’t have
to tell people you don’t have that right
so what’s the point that you don’t have
it
you just type in no just type in do iso
don’t type all that and see what that
the explanation of
do okay yeah what is dual
dual iso
so what is dual iso cameras okay here it
is
dual native iso is a unique technology
from panasonic
that can be found in cameras that are
part of the cinematic camera lineup
the sensor of the very cam has two
native iso settings
ah 805 000 that means
that simply put you can take advantage
of having two
film stock in a single camera
so it’s basically two native iso
and of course you know when it’s native
iso that’s when it has
the best quality image so it’s cleaner
yeah so
that’s that might be because yeah so
basically they have
they have they don’t have dual iso in
this camera
so in other words okay so i don’t only
one sweet iso yeah
so i don’t know why that’s a feature or
maybe the only reason that i feel like
they want to point that out is because
they don’t want people to associate that
with panasonic
i i i wish i knew more to comment on
that
journey but i don’t you can understand
how come you think
besides telling customers what they have
they also
have to kind of build walls
against their other competitors and
whatnot and you know stand out
or you know don’t want to do anything
with that because they don’t want to
compare certain features that like for
example
the dual iso is panasonics so
they try not to relate to yeah just in
case for example if panasonic has bad
press for a dual iso
so now they’re saying okay so we don’t
have to iso um
i don’t know how how valuable that is i
don’t know enough about dual
iso so i’ll leave that as like a
questionable specification in terms of
is it good or bad
that doesn’t matter if you should jpeg
right i mean mpac sorry
it only matter if you shoot slot and you
try to do a lot of post processing
then you need those to get the widow
better it’s kind of how how you
shooting uh raw file jpeg you could get
more with more file i think it’s the
same thing
well i i still think if you have dual
iso you have
one iso that’s native at the lower range
and you have one
native iso at a higher range so even if
you’re shooting jpeg if you have a
native iso at like what 1600 or
something
then that will shift to the second iso
range where it’s native at 1600
then it’s probably sharper even if you
use jpeg
that’s just for the days this way the
base is 160 and max iso at
a native iso
no or you need to use whatever iso what
does it matter
as long as it’s it’s a smooth range and
you’re only introducing a little bit of
noise up
i don’t really care about dual eyes so
less to worry about right
it’s like it’s like driving a tesla
versus having a two speed
right just it’s variable all the way up
versus
i have two gears to pick so i don’t know
i don’t know enough to say if it’s a
good or bad to be honest but
that is what the specs rumors are uh you
have 16 bit raw output
and then you have this is huge 15
dynamic range we keep going up on that
number that’s pretty crazy
it used to be 14. now he’s got one more
so in in native that honestly
yes this is the only thing i think
there’s one thing that we miss about
you know sony camera is the dynamic
range when you do post processing
that’s huge yeah so in layman’s term
how do you describe dynamic range is
someone that
can interpret it based on normal
examples
like what how do you explain what 15
stops of dynamic range is compared to 14
stops of dynamic range
okay so for example what is the smallest
f-stop currently a camber lens has
uh for us humanized i think our
app store for humanize is beyond 40.
okay okay so at the same time is
we can see the dimension we see
than the camera see him can’t even
compare at the one lens okay right but
this 15 stop dynamic range what that it
does is
it actually capture all the information
he didn’t see
it’s actually catching a live view not
the light only so
within that distance all that light is
captured in that file
okay and you could bring that back from
the post okay
i i see your point i kind of understand
a little bit differently
correct me if i’m wrong or if we’re on
the same page so to me
dynamic range is the ability to capture
shadows
in the dark area as well as the
brightness in the highlight areas
and you’re right too our human eyes yeah
but then what i’m talking about is
within that let’s say
let’s say imagine i have virtual square
in front of me like a cube yeah
yeah invent that kill all the
information is captured
okay so let’s say on that one click
yeah i set myself at f 16 you know 100
one over 100 uh shutter and iso at 400
something like that
all right so that frame or you know raw
when you open it previewed it
yep that’s the exposure i get right but
because i captured the whole cube’s
light
yes i yes so that because of the 15 stop
dynamic range
i could let’s say if the shadow is too
dark i could bring back the detail on
the shadow
if it’s too bright i can lower it that’s
what i’m talking about you got more
information that you need right but
for human eyes we see that oh yeah the
camera couldn’t
right so basically yeah so i think in
the back
in the warehouse and you want to just
bring it back from the warehouse
yes exactly as long as you have the
information you can pull it back
and i think i think your explanation is
the same as mine
in terms of um what we’re talking about
technicality but in terms of easy to
understand
i think my my for me i understand my
example better obviously because i’m
biased
but i think from for example our human
eyes we have a much
greater dynamic range that’s how we look
at something very bright like outside in
a sunny day
we can still see the sky properly
exposed at the same time something in
the shadow
we can still see like the little snail
crawling but
a camera can’t do that because it has a
limited dynamic range
that’s why if you want to see something
that’s like in the shadow you have to
expose for the shadow
part and then you lose the quality or
you lose the exposure of the sky
and vice versa you want to capture the
detail of the sky you’re going to have
to
have such high range that you’re going
to crush the shadows of the snail
so our eyes can do both but cameras
they’re limited
so if you increase the stops of dynamic
range then you can
you can get more details in the bright
and more details in the shadow
but at the same time basically
more than if you have 14 stops at 15
stops you have
better capture you have more range
between the shadows and
the highlights this is what i understand
same thing
yeah it’s the same thing it’s just the
way that i interpret it and maybe
other people might understand it uh
easier because
it makes sense visually
but whatever it is we’re on the same
page we’re talking about the same thing
yeah we’re on the same page
so those are pretty much the rumor specs
guys if you want to know
the actual spec as people have already
been saying on a youtube video
is go to b h’s website and watch their
review because
they already leaked out the actual spec
so they’re already out there
and just you know take it with a grain
of salt because b niche
are going to say the best things about
the camera
uh to get you to buy their camera
because ultimately
they’re a camera a camera’s company to
sell cameras or
sorry a store to sell cameras not really
to review cameras they’re going to tell
you good things so
you can buy the cameras well they have a
lot of
educational online education there is
you think about it though like back then
with only i have i’m kind of obligated
to talk
about sony so if certain someone is
is associated with the company and
whatnot uh
[Music]
you know what i’m getting into right
they tend to talk about good thing about
the brand
and the products yeah because
i think correct me if i’m wrong but i
think when you are an ambassador
you actually have the legal constraint
to not say bad things about the brand
you cannot actually say bad things about
the brand
right i try to wait for the whole
contract but then
throughout um you know the relationship
i have with sony
i’m always happy with the products but
one
i mean what they do is they let me into
the development
um of the product so i actually see some
of those ideas come up and
just make me happy
that’s always good but you know sooner
or later you will
run into something that you don’t like
about the brand
i do i guess it’s okay to say okay well
for example the point-and-shoot cameras
they overheat a 4k
but if you want to record 4k you might
want to buy something that’s more of a
professional body
then i guess that’s okay but you don’t
want to just downright
say bad things about the brand as
ambassadors
well originally i when when i joined
sony all these were never there
yeah uh instead it’s the nex series
which they were oh
that’s all that’s the one that was the
one i like
because they finally make some camera
which is
nice looking and fun to hold
small because it’s small it’s
lightweight but at the same time
the design is very unique yes and to be
honest when they
turn to the alpha line i say seriously
yeah so if you want something like that
jeremy
you might want to go back to your fuji
films because they have the purest
of the look and feel and yeah the
economics that they focus on
but regardless for working-wise you
can’t say no to its only because
uh if you want megapixels they have
megapixels and if you want
high-sensitivity
a7s free there you go yep so that’s
basically the difference between the
line right the a7
s3 is good for sensitivity you have the
lower megapixel which is 12 megapixel
but you have
better low-light capability whereas if
you want megapixel
you can go for the a7r four
r stands for rev resolution and it has
what is 61 megapixels
i mean imagine this i worked with the
a7r ii
before and also the a7s the original one
okay yeah
uh i shot i used both camera shot in the
same wedding
low light okay right when i bring
i use camera raw right let’s just say
use camera raw i bring the a7 out
twos file into there and try to remove
the noise
it will move most of the noise but not
all
but when i bring in a7s and remove the
noise
it’s totally gone yes
yeah that same environment lighting
yeah i mean that’s what the camera
focuses on
yeah so you know but then during um
the daytime when i shoot with the a7 out
right outside if i want to crop
more yeah i can and i can still remain
and and when i zoom out i can steal
those pixels right there
yep that makes sense i mean if you’re
doing like um
a commercial billboard picture then you
bring out the a7r mark iv
if you want to shoot an event or
anywhere where you have low light you
bring out the a7s mark iii
so they have their purposes and this a7s
mark iii priced
at a rumor 3 500 with all the
capabilities that we are known to love
for in an a7 line
plus you have super varsity mode of
video recording
it makes it a winner for videographers
plus the flip out screen dude
i mean we we don’t even talk about it
enough but that flip off screen i think
it’s gonna be huge
for sony to be able to have about screen
to record i think that’s the first
alpha line they have to have a field
screen like that yeah i think
that alone would make a lot of people
want to upgrade from the a7s
ii to the a7 s3 i hope that’s i mean
from one i feel like 3 500 still a bit
for
this nah nah because what the
r5 is gonna be how much
it’s pre-orderable right now right okay
so the r5 is
is about five hundred dollars more or
four yeah i’m not
i’m not compared to our five camera
compared to the previous a7s series
um so how much is the previous a7s
series cost i don’t know i just can you
check
yeah oh wow
uh but this is a used price still
so here’s serious yeah let’s just say
double the price is still cheaper
no because oh well this is okay so
roughly saying what 20 20 22 2300
they’re charging 3500 which is not
double the price it’s 50
more i don’t know i’m talking about when
you look at the used price it double the
price
which is that price right there i’m
seeing yeah yeah yeah okay yeah
so it’s it’s almost a thousand thousand
dollar
more yeah more more than a thousand
dollars more it’s basically
so very expensive compared to the
periods um
you know model not not compatible so
that’s what i feel like
because in my my mind maybe i’m i’ve
gone for so long now in my mind
the sony camera is always within that
so when you go over that i feel like uh
cause when we talk
they want to make affordable full frame
for everybody but then they’re moving
slowly moving away from the direction
now
that’s true because they are packing a
lot of technology in there
so i mean there’s a lot of r d and i can
see why they’re charging more
but it doesn’t make sense for the
consumer’s point of view where
it’s pretty much the same line of camera
as
before but now you’re paying 1200
more it doesn’t make sense well the
economy change you know the stock change
you know uh and also the current
situation maybe
they don’t sell as much and they need to
make more money in
each unit that’s why yeah
that is true yeah well
do you have anything else to add because
i think those are the rumor specs that
we have
i think we have some comments in amazon
oh
oh shoot yes so does it make
faces look nicer than in real
uh fantasma
if you get yourself a really soft lens
maybe
like why open i would say if you’re
looking for a feature
like that you might be very happy with
sony’s recently
released creativity camera the zv1
which we have linked down below too oh
yeah that one would make you prettier
yeah sure
because the zv1 linked down below has
what’s called a beauty mode
and the beauty mode there’s a high
medium and low setting or maybe just a
high and low setting
where it would just kind of soften out
your skin and trust me
the girls are going crazy over it
especially
uh the asian culture they like that
natural look where
oh yeah this is good i kid you not that
function is purely for asian
not to be racist but that’s just
typically uh this is more of the culture
i can’t say well we should we can say
yeah
okay fair enough fair enough yes but um
fantasma said
he he or she i’m sorry i don’t know if
it’s a hershey but fantasma
said fantasma had the old dx
don’t remember the numbers but sony
camera
and had replaced it with the newer one
and newer technology does not take
pictures that
old technology so
i’m trying to understand this the
statement here so this statement
basically says
that this person had the older camera
and
liked the way the older camera took
pictures when upgrading
me to a camera
the newer camera it’s all about getting
the sharpness getting mega pixels
while the older camera because the
origin of photography is using the
defect of this mechanical device
that we hold and using the defect become
artistic
yeah and now the new new camera we move
partly
all this defect and all the picture
becomes sharper and more megapixel
which has no characters yes back then
all this germany
made a russian camera they all have
defects and that become the
characteristic of
that camera when they take photo yeah
now all the new cameras don’t have that
so i totally agree with you i think i
agree with you too
uh just one one simple example is
it’s china like taking every picture
with a macro lens
even portraits okay so what i’m not
trying to bow
fuji films on right now but if you’re
shooting a picture
with let’s say you should raffle photo
okay you shooting with sony and a nikon
okay
you have that 10 to 15 stop of dynamic
range
you bring that photo into photoshop and
you retouch it bring back all the detail
and whatnot
you could literally all three camera can
make the same
image right now
if i’m shooting with my fuji
let’s say if i shoot on a jpeg right
because even though it’s a crop sensor
even i feel raw it can only bring back
so much because the diamond ring is not
there
it up well in a way it’s it’s kind of
forcing me
to shoot because the camera itself has
limitation
and creativity will come from limitation
yeah because i need to
i need to use that then that way i have
a unique niche because when i use this
camera this is the way i shoot it
yeah why on the other camera i don’t
care what kind of style you need
i can make it back yeah you can you can
get it no matter
that’s what fantastic yeah though i
agree
yeah i agree and like i said earlier my
my example is pretty much like if you
use a macro lens to shoot portrait
like it’s better in all respect because
it’s sharper
basically it’s that it’s just too sharp
it takes away the the smoothness of the
skin
because it actually shows all the
imperfection which is
great if you’re pixel peeping and you
want the best
image of the actual sub you’re capturing
but sometimes it’s not about that
sometimes you want a little defect you
want the skin to look softer in the
photo than it does in real life
and with older cameras you have the
limitation of the sharpness
that helps make the older picture look
better so in a way
that is true but in today’s technology i
guess
what you do is you take these pictures
that are super sharp and you kind of
soften them up in post-processing
or that’s pretty much what you would do
and
um fatasmus in these cameras i don’t
think there’s a filter built in
but if you use a camera like the zv1
that’s linked down below
that one will allow you to
use the filters to take pictures that
are naturally soft or take videos that
match yourself
right from within the camera
yep so well
that’s pretty much us yes
yeah um and again if you guys want to
check out the official spec
check out b h’s video and if you want to
see the official official
sony announcement that’s happening
tomorrow
well depending where you are it might
already be tomorrow but tuesday
at 10 a.m eastern standard time the
official spec will be out the
embargoment will be lifted
so you can probably see a bunch of
youtubers talk about this because
uh the a7s mark iii has been in the
hands of many
influencer already and they’ve been
playing around with it for at least a
couple days probably a week or two
already
and they’ve made videos already they
just haven’t posted it yet and they will
post them
you’ll see tomorrow at 10 eastern time
everywhere
everyone’s gonna post there’s gonna be
like ten videos about the a7s mark iii
so check those out
um i would say wait until you watch his
videos before you buy
but that’s just me uh so that’s our
rumor that the camera will be available
in september so let’s see what they said
tomorrow
yeah that’d be interesting lots of cool
stuff coming out the ps5 is coming out
new sony cameras in terms of control
well one thing we i forgot to mention i
didn’t put in there is that
uh besides the sd card they also accept
cf
express type a card do you know what
that is i don’t but
um it’s it’s pretty fast
a lot of people don’t like that like
don’t make me buy new cards
yeah but it’s more it’s more sturdy than
the sd cards
and hopefully they should make a
standard a fast standard
i i i got burned with cfast cards
because i used to use
comeback flash cards they switched to c
fast cards the cfast cards were so
expensive
i bought a bunch of them for my 1dx mark
ii but now when i go to my 1ds mark 3
they don’t have cfast cards anymore they
keep changing this
the freaking memory card standards i
don’t like that
i understand we need faster cards but
shoot make one standard
for very fast cards and then stick with
it because i hate
can we do one last thing yeah you do on
a search on amazon and see if they have
a pre-order thing for a7 s3 at all
i checked it’s they don’t have it yet
they don’t
oh that’s 873 that’s okay
yeah but i wonder if uh you can do a bh
well they probably had it
no you can’t order either no
you can always click here to see when
it’s available oh there’s the time
yep tomorrow at 10 eastern time
imagination in motion
cool sorry questions to answer will this
camera
have bit bit
color
at least in the rumor specs what is the
price 3 500
yeah they can’t say yet nope yeah
because you know when b h says it has to
be official but anyway
i i still would buy it from amazon even
though b nature’s gonna have it just
because amazon has good return policies
and i have nothing but good experience
with amazon when
i get a camera that has
that that’s just a lemon because
sometimes it happens right
sometimes you have a camera that just
it’s just
electronic rambling is in there and
instead of having going
to the manufacturer to get one repaired
and refurbish and send that to me i can
always just return to amazon and get
another one
so anyway i recommend that’s fine from
amazon that’s how you play it
that’s not how i play it that’s how
that’s what amazon offers right if
there’s a defect in the camera
that is the camera manufacturer’s fault
so either you let the camera manufacture
take care of it
or you let the seller which is amazon
take care of it for you because the
seller should return to a manufacturer
but you don’t have to wait for the
manufacturer to send you back a
replacement because amazon will ship you
a replacement right away
sounds good to me yeah so we we pretty
much rambled on a lot about this camera
we’ll see what happens tomorrow at 10
a.m we’ll probably make another video to
follow up
once we know the specs more once we
understand it more but this is kind of
like
a first impression of reading the specs
and just our interpretation
of what they are and how we think
they’re useful in a day-to-day
use um as a photographer and a
videographer
all right we like the 30-minute
restriction limiter so
that’s a that’s a big thing if they do
do that and it’s
it actually works that is you know and
the flip screen
yeah the flip screen is gonna be sweet i
don’t know i think a lot of people will
break that fifth screen
you would think so but it’s something
that we want
it’s probably not as robust i’m saying
i’m just feel sorry for certainly on
anime on that because a lot of people
are gonna break that
yeah they will and then if you are a
working videographer and you buy this
i highly suggest join their um
uh post service it costs you less for
repairs trust me so speaking of that
you can also get uh extended insurance
on your equipment too so sometimes it’s
cheaper because if you get insurance on
your equipment there’s a deductible
but once you pay the deductible they
will pay
for whatever repair cost it costs but
you just
you can’t kind of compare what they
offer first because yeah besides repair
for the pro service they offer a lot of
different things too for example uh
i think you’re the team and you get some
gift and then also you know how solely
in
the us they have all those events uh you
actually get invited go
if you you know all that stuff so you
know just saying it’s not just for
like repair one it’s just you become
part of it it’s
like apple fanboy you know what it
becomes a sony fanboy yeah
same thing with canon canon has the the
cps silver
platinum gold whatever uh different
levels and yes
they get these nice perks you get
backpacks you get camera straps
you get uh every year you can
do a certain number of clean and
inspection from them for free whatnot
only all over that yeah there’s pros and
cons but i like insurance because
if i drop my camera and it costs like
say two thousand dollars to fix
my deductible managers can take care of
it except there’s a catch i only can do
it once or twice if i do it too many
times
even though i have a legit reason to
claim on insurance
they’ll still kick you off the plan and
they’ll blacklist you
because that’s insurance yes because
insurance is there but you’re not
supposed to use it this is what you’re
saying
so i i don’t know if that’s legit
because do you know that company
uh bottledlands.com yes
i used to yeah i i mean i don’t buy
stuff
uh when i have to work and i don’t have
enough gears i just go there and ball
that’s it i can’t do that you know why
i’m a i’m a perfectionist and i know
that
if you borrow lens you might not get a
sharp copy
because the sharp copy of a lens depends
on pairing with your camera body
so i only feel comfortable shooting at
an important event once
i found that my lens and my body pairs
well and gives me strength like i said
it’s different
because i will i will deliver very
picture to my client if it’s a moment
i’ll do that i don’t care about
sharpness
so i don’t know you know
well that and also i go with emotion
rather technical
i don’t do this business as
technical even though when i teach
post-processing
and when i speak for sony fuji i go
technical i know it
all right you know one of those you know
um
that’s one thing in the chinese
community that you know all the
techniques
but you want to forget all the
techniques
so that you don’t get trapped by all
this technique and
you could be 3d when you know uh when
you’re actually fighting with someone
people can predict your next move right
um
the concept is that you know all your
moves so when you need it you have it
but don’t follow it
it’s kind of do you think they do that
to be like water
do you like what no about that thing you
need to be flexible
don’t breathe solid because when you’re
solid you’re predictable
yes i think that applied to kung fu that
apply to your life
that apply to when you do anything
artistic because when you
are trying to do some artistic and you
based on technique only
meaning all your straight line is the
same yeah now a lot of people in the
industry they want like
i want consistency while you’re doing
business that’s fine
because your classmate will love your
consistency yeah but you want to be an
artist
and you’ll be a consistent you’re a
boring artist yeah you have to be
interesting you have to change it up and
you have to be
on the edge and just try new things and
capture the emotion is one of them
because emotion is unique for every
couple
and that’s the most important thing you
can get sharp image all the time but
the emotion is higher priority for sure
i had that when i learned from my mentor
scott robert
back then it just you know he you know
back then he only sees jpeg did you know
that
i did know that he doesn’t do raw he
doesn’t do a lot of post sourcing so
yeah no some of those some of these
pictures are very
muddy he’s still but it’s good yeah his
model is getting right out of camera
that’s why he has a flash card
with the exposure it’s like boom set it
up get it right in camera because you
don’t want to spend
hours in posts yeah well i’m different
yeah i’m totally different well that’s a
whole different topic
that’s a whole different topic for this
video but we digress
i think we should wrap it up what do you
think jeremy yeah we should we should
okay so yeah thank you everyone for
tuning in let us know if you have any
questions
let us know if you’re going to pick up
the a7s mark 3 we’re excited to hear
what you think about this camera with
that any last words jeremy before we
wrap
up tonight uh i want to wait
say the last one the next video if we’re
going to do it after they
so some of the stuff that we mentioned
today may be wrong yeah so don’t call us
about it but that is just how
we go with our own feeling how we see
towards the
rumors exactly and this is our channel
so check us out on youtube.com
pixel savage if you want to learn more
about photography uh editing
and the arts and business of photography
as well so thank you so much for
watching
stay healthy stay safe and we’ll catch
you next time have a good night see you
guys good night
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